It’s like some kind of weird dream… I’m apparently back in Exhumed. Only, it’s not in the same room, and like, there’s a snake rolling a donut. I mean, it’s actually been almost two years since I accepted the invitation to rejoin, but we’ve had just a handful of shows since. Matt has had a record ready to record before I even joined, though. This last March, when I asked Matt when we would get down to practice new stuff, he informed me, actually, we were going ahead and recording . It had to be done before May. Oh, fuck. Okay, the dream became a nightmare.
So, okay… get your shit together, Sewage, this is fucking happening. Matt and Mike were heading to Florida to get guitars and drums tracked. To keep things easy (and cheap) I was going to take care of my own vocal and bass tracking back in Oakland. This not only had the benefit of saving costs, but also of sparing anyone the time of editing all the shitty playing that was to be forthcoming on a bunch of songs I’d never actually played with a band. It was lucky that I had collected the gear, had the studio with my other Oakland-based band, and had been through some of this before. Here’s how I did it.
It all started with a simple Twitter conversation…
We had been talking about recording somewhere else for awhile now, as we prep our fifth full-length. Scott Evans is an engineer and guitarist who I met when Ludicra played a show with his band, Kowloon Walled City. I liked their heaviness and was impressed that he recorded their excellent material himself. So, I approached my bandmates about giving it a go at Scott’s Antisleep Studios for a song we had to record for an upcoming compilation. Things turned out smashingly.
It was a strange weekend in the Bay Area. It had been so nice, but all of a sudden it was stormy out, lightening was crashing, and the smell of boiled beets was in the air. Obviously, splatterthrashers Ghoul were in town.
The original hooded menaces in Ghoul have often journied to Oakland in the past. I think there must be some kind of special travel deal or a direct flight from their homeland of Creepsylvania to Oakland. I shudder to think of what their passport photos must look like. This time, they were in town to record their long-awaited follow up album to 2006’s Splatterthrash. I guess Mr. Fang’s wax cylinder recording device must’ve been in the shop, because I found the Ghouls at Oakland’s vaunted Earhammer Studios, a place well known to record some of the best doom, crust and punk coming out of the Bay Area. I’m sure they felt right at home in the depressed neighborhood with people pushing their entire belongings about in shopping carts, not unlike the wheelbarrows of their European homeland. Just less donkey shit everywhere.
Hammers of Misfortune is the brainchild of my bandmate in Ludicra, Sir John “Cadbury” Cobbett. They are in the midst of working on a new record to be released on Metal Blade sometime in the future.
I got the call from John. “I need my pedal back.” Crap. The pedal I was supposed to fine tune. Oops. Oh well, I got it working, at least. Problem is, I was working in Oakland, and John is hard at work in South San Francisco. And it’s rush hour. So I guess after getting here I’m sticking around and writing about what the fuck Hammers is nailing down.
Tonight, if I ever get outta the office, Ludicra will move our equipment into the recording studio. I’m starting, finally, to get excited. It comes at a great time… You know, after this I had written a bunch of deep shit about politics, life in general… fuck it. It’s a blog. There’s a million of these. I’m just gonna go rock and get drunk and cough up more lung butter. Life is good, I repeat, life is good.
In two days. For the first time in 3.5 years. I wish it was during another month, but c’est la vie. Why not pack everything I need to do for the next years into the tiniest month there is? Sure, good idea. Then, I can pick up some drug habits again when I’m done and wile away the following ten months of 2004 in an opiatic haze. Sweeeet…