Intonating My New ESP LTD GB-4 Bass

Membership has its privileges. I got a new LTD bass from ESP for playing in Exhumed. While I have a couple ESP basses, they are tuned to D for other bands. So, on the last Exhumed tour, I had to drag my old B.C. Rich Ironbird out of retirement because it was tuned to B standard (and looked cool). Exhumed is sponsored by ESP, though. That’s largely just because Matt Harvey is, like, you know… Matt Harvey. He pulled some strings and Tony at ESP made sure we’d all be repping proper for our upcoming tours.

Yeah, that’s the bass I chose. I like the body style a lot; it looks like a Fender P-bass and a Gibson Thunderbird got together and fucked. And yeah, I chose “seafoam” green, or as I like to call it, “doktor” green. Or as I also like to call it, “maybe this metal thing won’t pan out after playing for 26 years and I’d like something that wouldn’t look inappropriate covering dad-rock at a bar” green. In any case, it came tuned to E standard and I needed it in B. So in lieu of hiring someone to do it, I did my own down and dirty intonation on this bad boy.

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Recording Revenge: DIY Tracking

It’s like some kind of weird dream… I’m apparently back in Exhumed. Only, it’s not in the same room, and like, there’s a snake rolling a donut. I mean, it’s actually been almost two years since I accepted the invitation to rejoin, but we’ve had just a handful of shows since. Matt has had a record ready to record before I even joined, though. This last March, when I asked Matt when we would get down to practice new stuff, he informed me, actually, we were going ahead and recording . It had to be done before May. Oh, fuck. Okay, the dream became a nightmare.

And I show up to the show with no pants on [pic courtesy zwaremetalen.com]
So, okay… get your shit together, Sewage, this is fucking happening. Matt and Mike were heading to Florida to get guitars and drums tracked. To keep things easy (and cheap) I was going to take care of my own vocal and bass tracking back in Oakland. This not only had the benefit of saving costs, but also of sparing anyone the time of editing all the shitty playing that was to be forthcoming on a bunch of songs I’d never actually played with a band. It was lucky that I had collected the gear, had the studio with my other Oakland-based band, and had been through some of this before. Here’s how I did it.

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