My amp is older than me. I’m middle-aged and I’m falling apart. Why should my amp be any different? I’ve done some other work on it before [Part 1], but ye olde Ampeg V-4B was well overdue for a recap job.
“Recap” means replacing capacitors. More specifically, electrolytic capacitors. After decades, they age and will drift from their original rating or even die. In the tone section of an amplifier, this isn’t always a big deal. It might change the tone. In the power supply, though, capacitor drift is a bigger deal: like, expensive-impossible-to-replace-power-transformer-blows-up big deal. The should be replaced before that happens.
This last tour we did was killer… I mean it killed a lot of stuff. Not only were the stages littered with the bodies of the slain, but the gear suffered horribly, too. We did six weeks with GWAR just before and had nary a hiccup. The following excursion was three weeks of headlining buffoonery that really did us in. iPods were lost, speakers blown, casters shot, cords frayed, pedals shorted, and antennas snapped. The two most tragic losses were amplifiers. Without an amp, a metal band you are not. Tenacious D be damned (funny, I find them not). Sean’s Peavey XXX took a hit and still remains defunct. My Ampeg V-4B, with a bit of tuning up on my own workbench, will live again!
When I last plugged in this disheveled beast, it was at Philadelphia’s Kung-Fu Necktie. Occultist had just finished a rousing set. I turned on my amp and it winked at me. The power light went on and then off. This was not good. A quick check of the external fuse revealed it had not blown. I couldn’t fathom what was wrong, but when I borrowed an amp, I found that I had a blown speaker in my 2×15. How and when I did not know. My amp, however, was expecting a 4Ω load and instead got 8Ω. Pop.