Maybe you have a guitar cab with just a single input, but you want to be able to switch to 4Ω instead of just the 16Ω it’s wired to. Maybe you want to run your speakers in stereo. Maybe you just hate those stupid fucking bullshit plastic Marshall switchable stereo jack plates that constantly break. If any of this applies to you, please consider the Plug and Play jack plate as a replacement.
Full disclosure: I have nothing to disclose. This was bought and I installed it. As far as I can tell, it’s made by Amplified Parts, a webstore I use frequently to purchase tubes and parts. This is an all purpose jack plate made of durable metal with no stupid switches that break. Installing one is easy.
I finally got the Shure GLX-D wireless system once my old Sennheiser wireless’s screen crapped out on me before our last tour. I am glad to say I was super happy with its ease of set up and its performance. It’s built tough all the way through and cuts down on the peripherals I need to set up during a fast change-over.
But… there’s always a but… I had a SLIGHT problem with it on the last tour. User error. I nabbed a cable out of it quickly at a bad angle and snapped the tip off inside the wireless. I was a little afraid to even try and open this thing, but I had nothing to replace it and was halfway through tour so I was stuck.
In a previous blog, like, a million years ago, I covered our construction of a loft in our jam spot. Well, since then, we’ve moved spots and were able to move the loft with us. That’s all fine and dandy, but after our group of hooded menaces were given some awesome guitars as part of our endorsement of ESP, we found our loft was not a convenient space for the mass of cases we’d acquired over the years. Hence, the addition of the guitar loft.
Now we have a convenient place to reach our cases without climbing a god-damned ladder and they’re off the floor so we can actually jam. With a couple strokes of luck, we put this up for the price of a few wood screws.
Mauz from Kicker had this interesting paperweight laying around the shop for awhile over at Monolith Press, where I work my day job. Turns out, it used to make noise. This was a remnant of the eighties, a Gallien-Krueger GK 400RG in all its solid-state and rack-mountable glory. It had its own crusty history as the amp for Geoff Evans from Skaven followed by Mauz when he recorded guitar for Dystopia’s “The Aftermath.” It also had a history of blowing up and some questionable, tweaky repairs with non-spec parts.
Mauz asked if I would take a looksy, so it went from a paperweight at the shop to a paperweight in my room. I wasn’t jumping at the chance to work on it. Fixing solid-state amps is a bitch. There’s so many little things that could be wrong or blown and you can’t always see it. You actually have to be smart… or you can blindly test everything a gazillion times until you get it right. So, yeah, testing everything it is.